A. Khanzhonkov and Co.

A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars a cast of animated beetles.

Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then three months later Andrei is shocked to learn she has died. He becomes obsessed with Zoia's memory and decides he must find out all that he can about her.

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.

"Rusalka" or "Mermaid" based on Pushkin, an opera by Dargomizhsky, and other sources: A prince and a miller's daughter have been involved in a romance together, but now the prince tells her that he must break it off. After the prince leaves, the distraught young woman attempts to drown herself. When the prince's wedding day arrives, he is tormented by her image, which appears wherever he goes. Eventually, he is compelled to return and to try to find out what happened to her, regardless of the consequences.

Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves to do whatever she can to help them…

An ant works to prepare for winter while a drunken grasshopper plays his violin and dances away his time. When the snow arrives, the grasshopper pleads with the ant for shelter and is turned away to die.

A Father Christmas ornament climbs down from a decorated tree, and goes to the forest. There he creates and decorates a Christmas tree for the forest creatures. He then invites all the insects, along with a friendly frog, to come and enjoy the gifts he has prepared, and to celebrate Christmas.

A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

Based on Pushkin's short story: When his friends play faro, Germann always enjoys watching, but he never gambles himself. One day, as he is watching their game, he learns that an elderly countess staying nearby is said to possess a secret for winning a fortune at the game. Germann is determined to learn this secret from her, and he initiates a romance with her grand-daughter Liza, in order to improve his chances.

Wealthy Mrs. Khromova has a natural daughter, Musya, and an adopted daughter, Nata. The merchant Zhurov is in love with Nata, and hopes to marry her, but she is non-committal.

This film was the last work of Yevgeni Bauer. At work on the film previous, For Happiness («За счастьем») Bauer broke his leg, and he shot his last film while in his chair, but soon fell ill with pneumonia. He began shooting in early summer of 1917. But he was soon placed in Yalta hospital and 9 June 1917 he died.

Based on the novel of the same name by Ivan Goncharov. Raisky falls in love with his second cousin Vera, but she coldly rejects his advances. He soon learns that Vera is having an affair with exiled official Mark Volokhov, with whom She is secretly dating. One day, Vera, in a fit of passion, gives herself to Volokhov, which she immediately regrets doing. Raisky and Tatyana Markovna suffer along with her having learned about Vera’s situation. Volokhov invites Vera to marry him but she refuses his proposal. After all these passions, calm comes and in the final frames of the picture, Raisky draws a portrait of Vera, and then sits down to write a long-planned novel.

Lusha is suffering from her drunken husband. One day her father-in-law rapes her. Of course, she doesn’t dare admit it to her husband. So, unable to move this incident, Lusha commits suicide...

First film adaptation of the chapter “Bela” from Mikhail Lermontov’s A Hero of Our Time.

Seamstress Mary dreams of a better life outside a sweatshop. Her dreams come true when she draws the attention of the bourgeois Victor. She soon tires of him, and thanks to her, his money is almost gone. When he suggests settling down outside the big city, where his money could be enough for a modest living, she leaves him and picks up a new lover. A year later, he is living in a shabby, cold hovel, still pining away for her.

Based on Gogol's story. It is Christmas Eve, and the town witches’ son, a blacksmith, seeks an honest marriage to his love who wishes for a pair of shoes fit for the Tsarina. A mischievous devil is trapped into providing service to the smith.

First film ever that was shot by two cameras. Set in 1854-1855, in Sevastopol and Yalta during the Crimean War. Admirals Kornilov (Mozzhukhin) and Nakhimov (Gromov) organize the defense during the siege of Sevastopol. Both admirals are killed during the battle, and the city of Sevastopol is taken by the alliance of British, French, Sardinian, and Turkish troops. The legendary feat of Sailor Koshka (Semenov) was staged at original location. The 100 minute-long film was premiered in 1911 at the Livadia, Yalta, palace for the Tsar Nicholas II.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.

Mazepa, the Ukrainian governor is in love with his goddaughter Maria. He quickly wins her heart. But her old father treats the wooer harshly… Maria runs away. The furious father won’t submit. This intrigue makes the most of the ingredients of historical drama. Maria is confronted to the arbitrary; the young woman is in a dilemma between her love and her family. The tragic outcome is equal to her destiny.

Sergei’s beloved wife Yelena has passed away, and the bereaved husband is inconsolable. He remains obsessed with pictures of Yelena and with a braid of her hair that he has saved. One day, while walking in the street, he passes by a woman who bears a striking resemblance to Yelena.