Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'.
An account of Baron Munchausen's supposed travels and fantastical experiences with his band of misfits.
While on his travel across the Southwestern United States, with his Jeep CJ Renegade and his chestnut colt named Joe Brown, Luke meets Matt, son of a friend of his, Moose, who is in jail. Moose asks Luke to take care of Matt, and to help him to take possession of a piece of land. So starts their travel, full of adventures...
All eyes focus on the Vatican, watching for the traditional puffs of white smoke that signal the election of the next Pope. This time much more is at stake. The new pontiff may be the only person who can bring peace to a world on the brink of nuclear nightmare.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.
A series of skits involving customers and store personnel from several departments of the big department store.
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Mario, a tram-driver, and Silvio, a banker, make friends in the group of participants in a survival training course.
A fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant.
Carla Zachanassian had a child by Serge Miller as a teenager. When Serge refused to marry her, she was driven out of town. By her own wit and cunning, she has returned as a multi-millionaire for a visit. The town lays out the red carpet expecting big things from Carla, only to learn that her sole purpose is to see Serge Miller killed...
In ancient Rome, bathhouse architect Lucius (Hiroshi Abe) becomes famous with designing the original "thermae" (bathhouse). He receives an order to build a thermae in the colosseum to help gladiators recover from their wounds, but faces difficulties. Thus, Lucius travels again to modern day Japan through the time slip. He meets Manami (Aya Ueto) again, who is now a reporter for a magazine which covers bathroom. With the help of the flat face Japanese tribe, Lucius again designs a new thermae. Meanwhile, Emperor Hadrian (Masachika Ichimura) wants to keep the peace with the thermae, but the Senate wants to extend the land by using force. Emperor Hadrian and the Senate now have a confrontation and Rome becomes divided.
Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.
Expatriate Henry Miller indulges in a variety of sexual escapades while struggling to establish himself as a serious writer in Paris.
Vito Polara is ambitious and wants to get as more power and money as possible. He decides to leave the cigarette smuggling and try to get the total control of the regional fruit and vegetable distribution considered more profitable. He looks for the help of a rural crime Boss.
Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.
Antonio Spagara, a young Sicilian worker, has been assigned by the Mafia to murder a nobleman, Marquis Macri. But at the last minute Antonio reneges on his commitment and instead of killing the father, he flees to Palermo with Grazia, his daughter. Life is not a bed of roses in the Sicilian capital, as the young man must impose himself to face his godfather and Grazia's despotic sister Dorotea. To make matters worse, the Mafia is not going to tolerate Antonio's desertion...
An experiment of psychological effects under stressful conditions in a shelter. When fifteen strangers are put into a nuclear shelter to see how long they can survive without interaction with the outside, things work out fine.
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.
