New Zealand National Film Unit

A documentary about the New Zealand theatre troupe "Red Mole".

The same night as a girl is slain in the woods, the teenagers Sam and Les are robbed of all of their hard earned hens. In the quest for their hens they cross the murderer's path.

On Christmas Eve, a nameless little girl reads 'The Monster's Christmas' storybook to her teddy bear, as something sneaks around in the trees outside her window. She hears a noise in the other room, and thinking that it's Father Christmas, she goes to investigate. She finds one of the monsters, who has come seeking help to defeat an evil witch that has stolen all the monsters' voices.

The short tells the story of a drunkard going through alcohol withdrawal, as personified by the Devil. Director Bob Stenhouse takes what could be a dark subject and makes it a funny madcap romp.

Set in post-war (1949) rural New Zealand, this film traces the efforts of two con men to run a betting scam in a small town (Tainuea) already rife with illegal gambling corruption, and eccentricity.

A documentary following the attempt by three young people to be the first windsurfers to cross Cook Strait.

Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the architect and his work both in New Zealand and his project to design housing for 140,000 squatters from the Tondo area of Manila in the Philippines, for which Athfield won an international competition in 1975.

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

The men of the The 28th (Māori) Battalion are seen returning to Wellington Harbour from WWII aboard the ship Dominion Monarch after their time spent serving in WW2. Their families wait to greet them with pōwhiri and hākari, whilst those men never to return are also remembered.

An educational short made by the New Zealand National Film Unit for the National Mountain Safety Council to promote awareness of bush safety.

A short documentary about freestyle skiing made for the New Zealand Tourist and Publicity Department.

An entertaining look at life in Wellington, New Zealand in the 1960s, giving a colourful impression of Wellington city: hills, winding streets, busy people and strong winds.

Three young people set off on a road trip from Wellington to find a seal colony.

Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').

An award-winning short exploring man-made impacts on New Zealand’s water cycle.

A primer on proper phone manners produced for the New Zealand Post Office.

Three Brits travel and settle down in New Zealand, and the film records their hopes, jobs, challenges, and adventures in the new country.

A documentary about New Zealanders in Antarctica: researching International Geophysical Year, and supporting the Trans-Antarctic Expedition by laying supply depots for Vivian Fuchs’ overland crossing.

Discovered to be using illegal drugs by a local policeman, the members of the commune kill him and bury him in their garden. After this pivotal event, distinctions between reality and fantasy become increasingly blurred.

Expat Kiwi Rewi Alley became one of the best known foreigners in 20th Century China and advocate for the Communist Revolution. When China was under siege from Japan in the late 1930s, Alley instigated an industrial co-op movement he termed ‘gung ho' (work together). Its success led to the phrase entering the global idiom. For this documentary a Geoff Steven-led crew travelled 15,000km in China in 1979, filming Alley as he gave his account of an engrossing, complex life story. Co-writer Geoff Chapple later wrote a biography of Alley.