Koko-ọrọ Jews

East Side follows Momi, an ex-Secret Service agent-turned-fixer who plays by his own rules as he brokers shady property deals between the Arab residents of East Jerusalem, and the powerful Jewish groups trying to take control of the area by whatever means possible. Brooding and well-connected, Momi slips between communities with ease. But behind his cool facade, the deadly consequences of his double-dealing are taking their toll, and at the center of his world is 18-year-old autistic daughter Maya.

In recent years, resentments and hatred towards Jews have become increasingly aggressive, louder and more brutal. What is at the roots of this development? Statistics show an extreme rise in anti-Semitic incidents in Germany but also worldwide. Berlin, for example, has become the city with the highest number of such attacks in Europe. Whether it’s from the left or the right, among Muslims or simply in normal everyday life - Jews and Jewish institutions are increasingly being threatened and violently assaulted in this country. In this series by Richard C. Schneider, experts and scientists, as well as those affected, attempt to explain the intentional or unintentional mechanisms of anti-Jewish hostility on the basis of historical, social and ideological developments.

"Covenant and Conflict" is a thought-provoking podcast produced by the "Gateway Center for Israel" and hosted by Nic Lesmeister and David Blease, where ancient biblical truths meet contemporary issues head-on. Each episode offers a deep dive into complex and often divisive topics with subject matter experts, aiming to explore the intersection of covenantal values and modern debates. Instead of fostering division, this podcast seeks to model respectful engagement and peaceful discourse amidst conflict.

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. This epic documentary changed the way we think about the Holocaust. Featuring interviews with survivors, bystanders, and perpetrators from across Europe, mostly Poland and Germany, Shoah is drawn from over 300 hours of contemporary conversations with these witnesses, along with footage of overgrown sites of unspeakable horrors, including the concentration camp at Auschwitz. The monumental film grew out of Lanzmann's concern that the genocide perpetrated only 40 years earlier was already being forgotten. In response, he relied entirely on accounts from witnesses, rather than historical footage or reenactments, sometimes resorting to hidden cameras or other deceptions to coax stories and memories from those with whom he spoke.