Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
On the periphery, the city's waste accumulates to form illegal dumps. In these, a new kind of life has emerged. It hides from the lights of humans, but the city reclaims what is its own. It advances and changes everything in its path. In its flight, the shadows remain in time. The thresholds persist. Gentrification, the death of one city and the rebirth of another.
Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.
It's a journey in a dead place, the need of finding a home. Get trough the grief to understand it.
When 10-year-old Nemo's mother suddenly dies, the boy is forced to go live with his maternal uncle's family. They are cordial and treat him well, but his 12-year-old cousin, Iván, begins to tease and tell him stories about the Bogeyman and how he'll come and get him if he doesn't behave. At first young Nemo doesn't believe the stories, insisting that Iván is just making things up...
Madrid, 2021. The parks are empty. There are regional elections. And final exams. Meanwhile, Pedro, Kiko and Jesús agree to star in a movie.
A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.
Alicia wants to record her father's birthday. The camcorder inadvertently catches him crying, and in anger, he tears up the videotape. By destroying it, he disappears from reality. Alicia, her sister, and her mother have to cooperate by reconstructing the tape to bring him back, exposing a major wound in their relationship.
When time seems suspended, young people meet in the forest
It's summer. A girl goes into the sea, looks back and smiles at her friend, who is recording an Instagram story. On the same beach, a fully clothed woman looks around not knowing what to do and decides to leave. A webcam records her movements. This is a film that, through personal stories, delves into the issues of self-perception, fear and the relationship with our body.
Election night. Aimar, leader of the left-wing Basque nationalist movement, returns home more tired than ever. Itziar awaits him, exhausted. At the entrance, the remnants of a protest by the radical youth of their own party. Aimar has to make a decision: Does he want to continue dedicating his life to the nationalist cause, even in the worst of times?
In a militarized, post-apocalyptic world, ravaged by an infection that turns people into beasts, one child defies all obstacles to find his mother. He has one question to ask in the midst of all this doom: does she still remember him?
Before going away to live in Barcelona, Jorge spends his last night with his three best friends in a forest near the town. When everything seems to indicate that it was a bad idea, something happens that none of them could have dreamt of: three older girls are sunbathing half-naked on the other side of the river.
A boy and a girl who have just met transport a corpse on request to the north of Mexico. When the police discover them at a routine check, they are forced to flee. Forced to team up, they will abandon their secrecy and mistrust while trying to assert his only heritage: a dead man who they only know is worth money if they manage to take him to his destination.
For some time now, Inma has felt something strange when she is with Manuel, when she sees him open a beer, when he picks up his guitar, when a song plays... One given night, Inma thinks about changing this situation when she looks back. Remembering the moment in which he met Manuel and wanted to be by his side.
