关键词 Women In Film

该片由瑟琳·席安玛（《女孩帮》）导演，瓦莱丽亚·戈利诺、阿黛拉·哈内尔、诺米·梅兰特等主演。讲述一个女画家去贵族家庭为待嫁女孩画像，互生爱慕。

　　陈玉燕十三岁时,父病逝,母为还债改嫁,燕则寄居王婶家.王婶的儿子志雄与燕青梅竹马,可算是燕最快乐的日子,可惜雄举家搬走,燕无奈搬往母处.燕拒后父逼婚,离家出走.后为筹钱医母,嫁予垂死富家子,入门即守寡,结果被视作不祥人而遭驱逐. 　　燕重遇童年好友王志雄,二人结合并生一子国华.雄不幸因工丧命,燕独力抚养儿子.华病重,燕惟有当舞女赚钱.华中学毕业,获奖学金出国留学,却苦无旅费,燕不惜卖肉以遂华愿.华学成归来,与同学欧美玲订婚,玲父得知燕底细,执意反对婚事.燕谎称华非亲子,然后寻死而去.华感动,决寻回母亲,玲亦说服父亲回心转意.燕在众人劝说下终放弃寻死,与家人团圆.

当不少人以为《脸庞，村庄》（2018）是华妲退休前最后杰作，她连奥斯卡终身成就奖亦袋袋平安，偏偏俏皮一笑，又交出这部活泼生猛的纪录片。由巴黎、洛杉矶到北京，马不停蹄开班分享创作理念，这位九十岁祖师奶奶不言倦，反正花样年华已被唤作「法国新浪潮祖母」，索性成为影坛万年青。 本尊娓娓道来启发《短角情事》（38 届）的好奇心，《拾穗者与我》（25 届）的细腻观察；至今不辍光影实验，不吝将艺术触觉传承。是为一生回顾展？言之尚早！

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls “cine-writing,” traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.