Killer's Kiss

Killer's Kiss 1955

6.30

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

1955

The Inn Way Out

The Inn Way Out 1967

1

A man encounters all sorts of strange places and people when he goes out for cigarettes.

1967

The Castles of Scotland

The Castles of Scotland 2005

1

As Seen On PBS - Legendary Sentries of a Storied Past - Scotland's castles emerge from swirling mists to reveal fortresses originally erected against the threat of Viking invaders and later, the threat of neighboring clans. Displaying architectural styles that span hundreds of years, Scottish castles are found amidst majestic hills in beautiful settings that belie their bloody past. This fascinating program explores the romantic history of the clans through tours of the structures that have witnessed centuries of war and tribal treachery. Legends of fairies, secret rooms and ghosts enliven the history of a brave people who proudly defended and preserved their Caledonia - land of the Thistle and the Lion. Bonus Program - Scotland: The Edge of the Land - A spectacular aerial journey along Scotland's western coastline.

2005

Chappaqua

Chappaqua 1966

6.90

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.

1966

Johnny Minotaur

Johnny Minotaur 1971

5.00

Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.

1971